AMERICAN HAUNTINGS INK

Showing posts with label legends. Show all posts
Showing posts with label legends. Show all posts

Friday, January 10, 2014

THE MAN WHO NEVER DIED

On this date in 1914, Utah grocer John G. Morrison, 47, and his son, Arling, 17, were shot to death in their Salt Lake City, Utah store. The police arrested Joe Hill, a Swedish-American labor activist, songwriter, and member of the Industrial Workers of the World (IWW, also known as the “Wobblies”). Hill, had become a popular song writer and cartoonist for the radical union, writing about the hard life of itinerant workers and the need for improved conditions for working people.



Hill’s was arrested and quickly convicted, accused of trying to rob the store. Despite appeals, the conviction stood, even though the bullets were not from Hill’s revolver and no one had identified him as the murderer. The only evidence against him was that he himself had been shot in the chest on the same evening as the Morrison murders. He refused to explain the circumstances – it had to do with a woman, he said.

Hill's love relationship, though frequently speculated upon, remained mostly conjecture for nearly a century. Apparently, though, Hill and his friend and countryman, Otto Appelquist, were rivals for the attention of 20-year-old Hilda Erickson, a member of the family with whom the two men were lodging. The two men quarreled and Hill was shot. Tragically, though, this alibi was never presented at his trial.

Following Hill’s death sentence, the governor of Utah turned down thousands of demands for clemency and a request from President Woodrow Wilson for a stay of execution. Hill, who had chosen to be shot rather than hanged, reportedly refused a blindfold. After declaring his innocence, he shouted to the squad of five men poised with their guns, “Fire – go on and fire!” And they did.

After his death, he was memorialized by several folk songs. His life and death have inspired books and poetry, including a 1930 poem by Alfred Hayes called "I Dreamed I Saw Joe Hill Last Night", sometimes referred to simply as "Joe Hill".

* Hayes's lyrics were turned into a song in 1936 by Earl Robinson. Paul Robeson and Pete Seeger often performed this song and are associated with it, along with Irish folk group The Dubliners. Joan Baez's Woodstock performance of "Joe Hill" in 1969 is one of the best-known recordings.

* Phil Ochs wrote and recorded a different, original song called "Joe Hill", which tells a much more detailed story of Joe Hill's life and death, and Chumbawamba did a song aboul Hill called “By and By” in 2005, using the first stanza of Alfred Hayes’ poem.

* Wallace Stegner published a fictional biography called Joe Hill in 1950.

* Authors Stephen and Tabitha King named their second child Joseph Hillstrom King, after Joe Hill and he later adopted the pseudonym when he published his first novel, “Heart-Shaped Box.”

* Gibbs M. Smith wrote a biography Joe Hill, which was later turned into the 1971 movie Joe Hill (also known as The Ballad of Joe Hill) directed by Bo Widerberg.

* In 1980 Posten AB, the Swedish postal service, issued a Joe Hill postage stamp. Red on a white background with the lyrics in English "We'll have freedom, love and health/When the grand red flag is flying, In the Workers' Commonwealth."

Hill’s unjust death made him a labor legend and a martyr to the cause. But he was game to the end. Just prior to his execution, Hill wrote to Bill Haywood, an IWW leader, and said, "Goodbye Bill. I die like a true blue rebel. Don't waste any time in mourning. Organize... Could you arrange to have my body hauled to the state line to be buried? I don't want to be found dead in Utah."


Thursday, January 2, 2014

FRANKIE AND JOHNNY -- A "KILLER" SONG

You might not recognize the song by name, but you've heard it. In fact, it's been recorded 256 times by artists like Lead Belly, Jimmie Rodgers, Les Paul and Mary Ford, Johnny Cash, Pete Seeger, Sam Cooke, Lena Horne, Bob Dylan, Jerry Lee Lewis, Elvis Presley, Gene Vincent, Van Morrison, Louis Armstrong, Benny Goodman and Jack Johnson.  It tells the story of a woman, Frankie, who finds that her man Johnny was "making love to" another woman and shoots him dead. Frankie is then arrested; in some versions of the song she is also executed. It was originally penned by a St. Louis songwriter named Jim Dooley and while he took some liberties with the tale, he was inspired by a real-life murder. But how close did he stick to the story? Not close at all, declared Frances Baker, reputed to be the "Frankie" of the song.


France Baker of St. Louis -- "Frankie" of the popular song

In fact, there was nothing that made Baker angrier than hearing "Frankie and Johnny," especially since her St. Louis neighbors knew that she was the woman immortalized in the ballad. Baker never denied that, as an emotional 22-year-old in 1899, she shot her 17-year-old boyfriend (name Allen, called Albert and not Johnny) but what made her angry is the song's description of her as a loose woman.

Even after she was acquitted of murder on the grounds of self-defense, there was no escaping from the song's claim that she was of "easy virtue." She felt publicly humiliated and tried to escape her shame by moving to Omaha and then Portland, but the song followed her. And the embarrassment did not end there. A play, and then a movie in 1936, dramatized the song's love triangle. In 1942, Baker decided that she had put up with enough and sued Republic Pictures for defamation of character. More than 42 years after the shooting, "Frankie" was able to tell her side of the story. 

She was nothing like the character in the song, she said. She did not wear diamonds of fancy clothes and her income was not derived from loose morals, but from "washing and ironing and scrubbing steps." She even claimed that she was not upset when she found out her boyfriend was seeing Alice Pryor. She was asleep when Albert came to her house -- intent on killing her, she told the court. He threatened her, first with a lamp and then a knife. Luckily, Frances kept a silver-plated pistol at her bedside and she shot him -- not three times like in the song, but just once as he was standing next to her bed. 

Baker was so convincing with her story that the court ruled against her -- the jury wasn't even sure that the song was about her at all. It turned out that there were other versions of the song, with female characters with names like Annie and Lilly. In the end, Baker lost the suit.

But she went to her grave believing that she had been humiliated. She returned to Portland and in 1950, was committed to a mental institution. She died there two years later, at the age of 75.